On flights of fancy

Portrait_of_chino_Hyogo_seated_at_his_writing_desk
Portrait of chino Hyogo seated at his writing desk, by Katsushika Hokusai.

There are days when 700+ words come clearly and definitively, all within an hour. Then there are days when 140 words can take me a lifetime. Today belongs to the latter, but for the first time in a year and a half I find myself completely and happily immersed, once again, in the world of my own making.

The writing process has been a little different for me this time around. There isn’t as much structure as there was before. My outlines are looser, as are my ideas. I know where I need to start and where those pivotal stops in the journey must be, but I’m not as fixed on pre-planning as I used to be. That’s probably because Book One set the proper foundation and tone, and I simply find myself easing back into a familiar rhythm filled with friends I haven’t seen or spoken to in many, many months, but that doesn’t take away from the wonder of it.

And it’s those moments of wonder that makes me want to keep writing; that brings me back time and again to the arduous process of trying to give shape and meaning to the abstract. In the end, that’s what writing is—a way to explain, in finite terms, living, breathing ideas that are by definition infinite and intangible.

Neatly tucked within Chapter Ten of The Butterfly Crest you will find a flight of writer’s fancy, added on a whim without innuendo or forethought. A character spoke, the intangible took shape, and then the words made their way onto paper. I would have never guessed that those few words, which were not a part of any grand plan or carefully crafted scenario, would provide the key for the perfect beginning.

That, for me, is the wonder of writing.

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